Having graduated in 2009 with a Theatre & Performances Studies degree from the University of Warwick my passion for the arts took me to a role as Marketing Officer for the Theatre Royal Bury St Edmunds in 2010, leaving in 2015 as Head of Department. From 2015 - 2016 I worked for Tara Arts and managed the marketing, sales and branding strategy for the reopening of the new Tara Theatre.

Since November 2016, I have been working as a freelance Arts Marketing consultant and manager on strategy development, production and tour marketing, branding and digital strategy and implementation for producing companies and venues. Currently working as Head of Marketing for the Original Theatre Company and recent roles include Communications Manager for Rifco Theatre Company with in house roles support Watford Palace Theatre and Park Theatre and projects for Trafalgar Theatres, JAS Theatricals, ATG Productions, Little Angel Theatre, The Bush, China Plate, Funnelwick Limb, Watford Palace Theatre, ETT, High Tide, Cahoots Theatre Company, Eastern Angles, The Production Exchange, Park Theatre, Southwark Playhouse The Other Palace, HOME Slough, METTA Theatre and Tall Stories .

Recent consultancy projects include working on Audience Development strategies with The Bush, London and development of Audience Development stratgey for a major application with China Plate.

I also led on the marketing module for the MA in Creative Producing at Mountview Academy of Theatre Arts and for Chris Grady’s Creative Producing Diploma for a number of years and have run marketing training sessions for China Plate, Roots, Farnham Maltings, Stage One and Edinburgh Fringe as well as taking part as a Mentor for Arts Marketing Association. In 2022 I travelled to South Korea to be part of the K-Musical Market in Seoul and spoke on Audience Development in the UK theatre to Korean Producers.

Since March 2020 I have worked on a number of online projects including the development of Original Theatre Online (originaltheatreonline.com) who have produced pre-recorded streamings of their stage shows including Murder at Midnight, The Importance of Being Oscar, The Croft, The Habit of Art, A Splinter of Ice, The Hound of the Baskervilles, The End of the Night and made-for-online productions of Birdsong Online, Watching Rosie, Apollo 13: The Dark Side of the Moon, The Haunting of Alice Bowles, Barnes’ People, Being Mr Wickham, A Cold Supper Behind Harrods, Into The Night, The Red, Originals, Stumped which have so far reached over 55,000 households in over 37 countries worldwide. I have also managed the marketing for Soho Poly’s online show DANCE, David Adkin’s online production of Rocky Road, Paper Smoker’s Diary of and Expat (Reloaded), the development of brand and marketing for Funnelwick Limb’s online stories and AR project The Chronicles of Atom and Luna and Panto Online’s online pantomime productions of Jack and the Beanstalk and Cinderella with Peter Duncan.

Over the last 13 years I have worked on numerous national tours including Three Men In A Boat, Invincible, Monogamy, Caroline’s Kitchen, Napoli, Brooklyn, The Croft, A Splinter of Ice, Being Mr Wickham, The Hound of the Baskervilles, The Mirror Crack’d, The End of the Night, Stumped, The Interview, Time Machine (A Comedy) - Olivier Nominated, The Importance of Being Oscar, Birdsong, ART, Murder in The Dark, Murder at Midnight (Original Theatre, Park Theatre & Brits Off Broadway); Single White Female (JAS Theatricals and ATG Productions); Penned Up (The Hal Company); Our Public House by Barney Norris (Dash Arts); A Squash and A Squeeze, Charlie Cook’s Favourite Book, Finding Santa (Little Angel Theatre); Death of a Salesman (Trafalgar Theatres); Wuthering Heights (China Plate); Pirates of Penzance; The Diary of a Hounslow Girl, Hamlet (Black Theatre Live); Emma (The Production Exchange); Dishoom, Mushy: Lyrically Speaking (Rifco Theatre Company); Gutted (national tour); Still No Idea (Bunny Productions/national tour/Royal Court), The Ballad of Maria Marten (2019 & 2021/2022 and Wilton’s Music Hall) (Eastern Angles); The City and The Town (Matthew Linley); Dracula (Jamie Clarke); Absurd Person Singular, Gaslight, Talking Heads, Abigail’s Party (Watford Palace Theatre); When The Long Trick’s Over (High Tide); Happy Meal (Roots, Touring and Traverse Edinburgh/Ed Fringe 2022); Dick Turpin’s Last Ride, Mansfield Park (Theatre Royal Bury St Edmunds); as well as London projects including Paradise of the Assassins (Tara Arts); How to Survive Your Mother (Cahoots Theatre Company/Kings Head), The Dame, The Roundabout, Deny, Deny, Deny, Twitstorm, Twilight Song (Cahoots Theatre Company/Park Theatre); The Garden of Words, Disruption, Hamlet (Gyles Brandreth), Secondary Victim, There or Here, Schism, Beruit, Spiral, Peter Pan, We’re Staying Right Here, Beneath The Blue Rinse, The Actor’s Nightmare, Fast, The Snow Queen, Clybourne Park, The Garden of Words, The End of the Night (Park Theatre); I’m Gonna Marry You Toby Maguire, How to Succeed in Business, Sugar Coat, Windfall, Brilliant Jerks, The Canterville Ghost, Ghost About The House, Bananaman (social media), For King and Country, The Night Before Christmas, The Rubenstien Kiss, Billy Bishop Goes To War, Indecent Proposal, Straight White Men, Yeast Nation (Southwark Playhouse); From Here to Eternity, Metamorphosis (Aria Entertainment); Fucking Men (Waterloo East); Into Battle (Greenwich Theatre); The Sugar House (Finborough Theatre); Bright Half Life (Kings Head Theatre); Fanatical (Playground Theatre), Murder For Two (The Other Palace), Superblackman (Battersea Arts Centre), Midlife Cowboy and The Happy Prince (Wilde Productions), Monday Night at the Apollo (Wild Mountain), as well as marketing support for War of The Worlds (Rhum and Clay/national tour) and Wuthering Heights (China Plate and Inspector Sands/national tour). Alongside production marketing I have also managed the brand development for Bunny Productions (Lisa Hammond, Rachael Spence).

I would love to hear about your project, whatever the size or budget.

CLIENTS :

Original Theatre - rifco theatre company - TRAFALGAR THEATRES - LITTLE ANGEL THEATRE - JAS THEATREICALS - ARIA ENTERTAINMENT - Cahoots Theatre Company - The Other Palace - Mountview - Park Theatre - The Production Exchange - Watford Palace theatre - Gyles Brandreth - Dilated Theatre Company & southwark playhouse - Aegis Productions - Elphin Productions - Campling Hicks Productions - Anita Creed Productions  - Devil you know theatre - the stable & playground theatre - damien tracey productions - Julie Clare Productions - paul casey - kepow theatre - get go culture - metal rabbit - WILDE THEATRE PRODUCTIONS & MICHAEL PEAVOY - eastern angles - BUNNY PRODUCTIONS - RHUM AND CLAY & SALLY COWLING - Chris Grady - CHINA PLATE - WHOLE HOG THEATRE, JAPAN- FUNNELWICK LIMB - Matthew Linley - PETER DUNCAN - Panto Online - HIGH TIDE - Jamie clarke - david adkin - 10 to 4 productions - ARia entertainment - proud haddock - ett - roots/steven atkinson -BUSH THEATRE - TALL STORIES- Little angel Theatre - Grey Area Theatre/Big con productions - denise silvey                                                                  

Working With Me

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